
Dancing Families Celebrate Their 15th Anniversary!
The program – a pioneering and long-standing initiative for the development of experimental dance in Poland – began in Poznań in 2011 and has been continuing to this day in several cities across the country.

Roots
In 2025, the Dancing Families program celebrates its anniversary. Over the past fifteen years, we’ve held dozens of workshops for children and families and educators, presented performances from Poland and abroad, expanded the program’s multimedia archive, and, above all, invited thousands of families to dance together in cities across Poland. These activities have contributed to strengthening the field of dance and choreography for families in Poland – and we are proud of it!
In its early years, the initiative focused on presenting international performances for families. It was part of the Old Brewery New Dance program curated by Joanna Leśnierowska at Art Stations Foundation, and was coordinated by Alicja Morawska-Rubczak. In later years, under the guidance of Sandra Lewandowska, the project expanded to include regular family dance workshops and professional training sessions, while also supporting the creation of Polish dance productions. In recent years, under our current artistic and production leadership, the program has centred around family dance workshops, discussions on dance criticism for young audiences, the creation of the Media Library archive with 25 films and two publications and the program’s expansion to multiple cities. This marks a significant step toward building a national family dance scene.
Over the past fifteen years, Poland’s perspective on childhood and parenting has shifted. Awareness of children’s rights and respect for diverse perspectives of childhood have increased: more voices now speak about the importance of nurturing relationships, many local initiatives have emerged to support children and parents, and the division of caregiving responsibilities in households has become more flexible, and rigid family hierarchies are softening. At the same time, we’ve lived through a pandemic, experienced an unprecedented technological invasion into our homes, and witnessed new socio-political conflicts. These factors prompt us to rethink the relationships we form – both familial and societal.

Tissues
Over time, the program has seen changes in its coordinators, operators, partner institutions, and formats, always evolving in response to the changing reality. Yet its core focus has remained: family fun and shared movement. In creating Dancing Families, we believe that children and caregivers deserve support, as the broadly understood family is undoubtedly a culture-forming space.
It is within the family that, as infants, we first recognise ourselves in relation to others and the world. We gather our first sensory experiences, build deep intuitions and convictions. Childhood is full of formative moments: sharpening our vision, learning to trust our embodied intuition, discovering our capabilities and limitations – both in relation to gravity and in relationships. These early years are a tapestry of experiences that shape how we later move through the world. In these crucial moments, close adults are present with the child, forming an essential part of their world. And these adults, in turn, are able to reconnect with their own inner child – the part that feels deeply, creates freely, laughs uncontrollably, and embraces the world with their whole being.
We continue to see the need to create spaces, experiences, and structures that creatively nurture and support family relationships. After all, it is within the family – in whatever form it may take – and in our first relationships, that our psychophysical way of being in the world is largely shaped.
In Dancing Families, we view people as social beings, embedded in a web of relationships, physically present. With a richly complex nervous system (full of sparking, image-generating electricity), a wondrous ancient structure of lung alveoli, and the fascinating movement capacities of feet and eyebrows. We look at every person and every family with childlike curiosity, amazed by the variety of physical expressions.
Dance and choreography, with their focus on embodiment, are tools that allow us to create opportunities to be together: in joy, in movement, in connection, with emotions and curiosity, regardless of age. Through dance, we weave networks of relationships and create the present. We draw on all the everyday and extraordinary experiences stored in our bodies – such rich and diverse repertoires of movement! How many new choreographies we create when meeting others! How much power and agency lies in simple decisions: where, how, and with whom we choose to be physically present!

Bows
Dancing Families is a program-network of partner institutions and spaces that support dance and choreography for families and children. Each year, together with an engaged community, we succeed in strengthening the voice of family dance and choreography in Poland.
Our deepest thanks to all our partner institutions, past and present. Those who helped build the program in earlier years: Art Stations Foundation by Grażyna Kulczyk, Teatr Polski in Poznań, the Czesław Chruszczewski Municipal Public Library in Mieścisko, and Teatr Ochoty in Warsaw; and those co-creating the program today: the Children’s Art Centre in Poznań, the Gdańsk City Culture Institute, the Krakow Choreographic Centre at Nowa Huta Cultural Centre, and the Inclusive Arts Centre in Warsaw.
We also thank the institutions supporting Dancing Families through public funding: the National Institute of Music and Dance, the Culture Department of the City of Poznań, and the Culture Bureau of the City of Warsaw.
Warm thanks go to all the professionals who have collaborated with Dancing Families – without you, this program wouldn’t exist! You’ll find a full list of facilitators on our website and in previous publications, but here we list the artists and collaborators involved in the last five years:
Aleksandra Bożek-Muszyńska, Hanna Bylka-Kanecka, Weronika Cegielska, Dana Chmielewska, Alicja Czyczel, Theresa Diehl, Katarzyna Doner, Agata Drwięga, Tatiana Dziewanowska, Katarzyna Gilgenast, Paulina Giwer-Kowalewska, Monika Kiwak, Aniela Kokosza, Antek Kurjata, Aurora Lubos, Jadwiga Majewska, Nadiya Matsyuk, Adalisa Menghini, Karolina Mielczarek, Anna Nowicka, Ksenia Opria, Aleksandra Smoliga-Kostka, Maria Stokłosa, Anna Straczyńska, Dominika Szala, Monika Szpunar, Katarzyna Ustowska-Gmerek, Anna Wańtuch, Karolina Wensierska, Monika Węgrzynowicz, Iryna Zapolska, Urszula Zerek.
This program would not exist without the Families who join us with curiosity and openness in many cities across Poland – thank you for your trust and energy!
Special thanks to Beata Rojek for her brilliant illustrations for the dance workshops, and to Michał Łuczak for his sensitive graphic design and the creation of the website www.roztanczonerodziny.pl.
Happy anniversary to us all! See you in motion!
If you’d like to learn more about Dancing Families, we warmly invite you to join our sessions, get in touch, visit the Media Library, and listen to the special anniversary interview with Zuzanna Berendt: click here

Hanna Bylka-Kanecka
choreographer, researcher, mother. Initiator and co-founder of the Holobiont collective, created with choreographer Aleksandra Bożek-Muszyńska and creative producer Karolina Wycisk, which creates interactive dance performances for families. The collective’s works have been shown all over Poland, at major reviews and performing arts events for children, and abroad. In 2023, thanks to a grant from the Minister of Culture and National Heritage, she created her first independent work – an interactive solo “Somatulki” aimed at children in kindergartens. Since 2018, she has been the content supervisor of the Roztańczone Rodziny (Dancing Families) program – the first initiative in Poland focused on the development of contemporary dance and experimental choreography for families, operating continuously since 2011, with the Performat Foundation providing production supervision. Project-wise, she works closely with the Children’s Art Center in Poznań, where, among other things, she co-curated with Joanna Żygowska a Forum on contemporary dance and choreography for young audiences. Since 2022, she has been a board member of the Young Dance Network – a global network for exchange, operating under the umbrella of ASSITEJ International, where she volunteers to disseminate and strengthen dance and choreography for young audiences, seeing them as tools for social change. She has published in “Contemporary Culture” and “Didaskalia,” among others. In her creative and research work, she is interested in the intersections between psychoanalysis, somatic practices, posthumanism and childhood studies. Her greatest artistic inspiration comes from bodily observation of the various colors of her own motherhood.

Karolina Wycisk
independent creative producer and art manager. She carries out projects on a national and international scale. She has collaborated with Art Stations Foundation by Grażyna Kulczyk (Grand re Union, 2020), polish Theater Institute (2020) and National Institute of Music and Dance – she was the main coordinator of Polish Dance Platform (editions in 2017, 2019). Scholarship holder of the Ministry of Culture and National Heritage (2015, 2020). She runs the Performat Foundation which is, since 2021, the main organizer of Dancing Families program in the network of Polish cities. As an independent producer, she leads performat production. She is part of the Holobiont collective which creates interactive dance performances for families. One of the Polish representatives in the Nature of Us V4 project dedicated to the ecology of production and sustainable methods of artistic work in the era of the ecological crisis. Currently, she collaborates with the City Culture Institute in the Art Spaces – Dance project. Co-creator and member of the bottom-up association of performance art producers in Poland. She spends her free time on mountain trails. She recently became a mother.